'For twenty- one years I have been shuffling back and forth between classrooms and libraries. Now you tell me what the hell it's got me.' That's how Benjamin Braddock talked when he came down from university. Somehow it didn't seem to be what his father expected from a college education, and everyone was really appalled when Ben raped Mrs Robinson (that was her story anyway) and ran off with her daughter in the middle of her wedding to someone else... a brilliantly sordid tale of a young man's search for identity and a portrayal of the worst-behaved yet most sympathetic anti-hero of the day.

As far as Benjamin Braddock's parents are concerned, his future is sewn up. Now he has graduated from college, he will go to Yale or Harvard, get a good job and enjoy a life of money, cocktails and pool parties in the suburbs, just like them. For Benjamin, however, this isn't quite enough. When his parents' friend Mrs Robinson, a formidable older woman, strips naked in front of him and they begin an affair, it seems he might have found a way out. That is, until her daughter Elaine comes into the picture, and things get far more complicated.

'They speak to me, Vicks.' Celandine hugs Vicky in windswept Kensington Gore. 'They speak to me from heaven.' London 1921. 24-year-old Celandine Greenstreet wants to write symphonies, but she hides an astonishing secret. What is the dreadful rift that forms between her and Alex? Why is Celandine cast aside by Estreham Academy? Who comes back into her life after ten years separation? What is the shocking nature of the lies she is told by the only man she ever loved? These are just some of the burning questions that must be answered in this skilfull and carefully crafted, yet harrowing story of Celandine's life in the years following the Great War. A prodigiously talented musician, she faces a continual fight to prove her sanity, achieve her ambitions and demonstrate her innocence of the appalling crime she stands accused of. In 'A Solitary Girl' the narrative probes deeply into troubled minds, shows us the limits and dangers of early twentieth century psychiatry, weaves a complex web of grief, ambition, love and hate, leavened throughout with a dash of humour.

The basis for Mike Nichols' acclaimed 1967 film starring Dustin Hoffman -- and for successful stage productions in London and on Broadway -- this classic novel about a naive college graduate adrift in the shifting social and sexual mores of the 1960s captures with hilarity and insight the alienation of youth and the disillusionment of an era.

When Benjamin Braddock graduates from a small Eastern college and moves home to his parents' house, everyone wants to know what he's going to do with his life. Embittered by the emptiness of his college education and indifferent to his grim prospects -- grad school? a career in plastics? -- Benjamin falls haplessly into an affair with Mrs. Robinson, the relentlessly seductive wife of his father's business partner. It's only when beautiful coed Elaine Robinson comes home to visit her parents that Benjamin, now smitten, thinks he might have found some kind of direction in his life. Unfortuately for Benjamin, Mrs. Robinson plays the role of protective mother as well as she does the one of mistress. A wondrously fierce and absurd battle of wills ensues, with love and idealism triumphing over the forces of corruption and conformity.

In the blistering summer of 1911, City stockbroker George Chesshyre moves his family to a new house in south London. George looks forward to a life of domestic bliss but a continuous chain of events conspires against him and his yearned for reverie is repeatedly thwarted and dashed by the arrival of cantankerous and odd relatives, unexpected animals and a merciless drain on his wallet. Not helped by the unceasing, debilitating heat of one of the hottest summers on record, George battles to and from the City each day on the 'Slow Train to Suburbia'. As the year progresses and the autumn leaves fall, a procession of colourful characters adds, by turn, hilarity and heartbreak, culminating in a riotous Christmas Day, a fitting climax to an event-filled year. In 'Slow Train to Suburbia' the author paints a sympathetic and nostalgic picture of life in the suburbs before the First World War. The world is rapidly changing and old certainties are fading fast. The dying embers of the Edwardian age are captured beautifully in the situations, characters and prose, and will leave a deep and lasting impression in the memories and imaginations of everyone who reads and enjoys this unusual novel.

This Is A New Release Of The Original 1835 Edition.

This Is A New Release Of The Original 1836 Edition.

This Is A New Release Of The Original 1832 Edition.

YOU are a bodymind, not a body with a mind or vice versa. You are a verb, not a noun. You are fluid, constantly changing. The static you is a persistent illusion. You... your self, persona, ego...who you are... is a construct that is formed by the interaction of genetics, imprinting, and learning. You have little input into this process until after you have been thoroughly shaped by parents, peers and culture. Now consider that this you that you now seem to be is, actually, very much like a fictitious character that may appear in a novel, play or movie and may be re-written, re-produced and re-performed, using the techniques of those media. One part of your character description that can effectively be re-written, re-produced and re-performed is your functional age, which is defined as a combination and interaction of your chronological, physiological, psychological, and emotional ages. The Cinemorphic techniques discussed in METHOD AGING open the door to this transformation.